186 results where found for «The Brief Space Where You Are Absent»

The Clock (El reloj)

Music piece by:
Roberto Cantoral
Testimony by:
Ana María Arenas
Experience in:
Calle Irán Nº 3037 / Venda Sexy / La Discotheque, December 1974
Tags:
« The day I was captured, after the first torture session, I asked for permission to sing a Christmas carol, the name of which I cannot remember. I did it to let one of my captive friends know that I was also at the Venda Sexy. »
[...]
« We were all from the left and were looking to have a safe space to share music and ideas. »
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Run Run Went up North (Run Run se fue pa'l norte)

Music piece by:
Violeta Parra
Testimony by:
Ernesto Parra Navarrete
Experience in:
Campamento de Prisioneros, Estadio Nacional, 9 November 1973
Tags:
« Run Run... On the big pitch, mild summer weather was in the air. »
[...]
« But for us, aching from the torture, hungry, haggard, stinking, tattered, tired of our uncertain future, all we longed for was a breath of energy that would allow us to feel that we were still alive and that the feelings of our absent loving partners were present. »
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Song of a Middle-Class Man (Canción de un hombre medio)

Music piece by:
Sergio Vesely
Testimony by:
Sergio Vesely
Experience in:
Cárcel de Valparaíso, 1976
Tags:
« In our political discussions, we always spoke disdainfully of the middle class. In the view of the Marxist ideologues in prison, that sector of society supported the dictatorship and it was necessary to reverse that trend. »
[...]
« and if they say you are black, they tell you to get out of here. »
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Lucía

Music piece by:
Joan Manuel Serrat
Testimony by:
Beatriz Bataszew Contreras
Experience in:
Campamento de Prisioneros, Tres Álamos, December 1974 - May 1976
Tags:
« Tres Álamos was a more 'normal' camp, even though we never had a trial. There was a lot of music, it was sort of ritualistic. »
[...]
« ‘Lucía’ was for quiet and private spaces. You need a very good voice for this song. It’s difficult, not all of us would sing it. The comrade who sang it appeared to become one with the music. I think there was a guitar but I can’t say for sure. »
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Lili Marlene

Music piece by:
Hans Leip
Testimony by:
Rogelio Felipe Castillo Acevedo
Experience in:
Campamento de Prisioneros Melinka, Puchuncaví, November 1974
Tags:
« We were forced to belt out these marching songs. »
[...]
« From the silent space »
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Melody by Jorge Peña Hen

Music piece by:
Jorge Peña Hen
Testimony by:
María Fedora Peña
Experience in:
Cárcel de la Serena, October 1973
Tags:
« 'Look here, Maria Fedora. I’ve brought you a treasure', it was the voice of my brother Juan Cristián as he crossed the doorway of our mother’s house one morning in January 1983. »
[...]
« And now we come back to the starting point, to his smell, his deep voice, his commanding presence filling every space, his jokes, his tenacity, his fast and easy stride, indestructible optimism, his arcane humming, his rigour, his requirement of discipline, his inexhaustible talent, his generosity and nobility. »
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Candombe for José (Candombe para José)

Music piece by:
Roberto Ternán
Testimony by:
Sara De Witt
Experience in:
Campamento de Prisioneros, Tres Álamos, September 1976
Tags:
« We were in Tres Álamos barracks in September 1976. I don’t recall how many of us women were imprisoned there. I believe there were close to a hundred of us. »
[...]
« I tried to raise my voice to the infinite space way beyond the edge of the barrack roof that reminded me of my limitations. Amelia put her arm around my shoulder. I did the same to Tuca and all of us embraced each other, singing from the tabletop. We were so close together, and a sense of sisterhood enveloped us. I was not alone; I was with those women who were my sisters. We had survived so much brutality and suffering. I sang with all my might on top of the table with those dear women: Amelia, Tuca, Anita, Anita María, Elena, Gabriela, Nieves, Cristina, Fidelia, Cecilia and another friend whose name I have forgotten. »
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Saint Gregory’s Tonada (Tonada San Gregorio)

Music piece by:
Pedro Humire Loredo
Testimony by:
Pedro Humire Loredo
Experience in:
Tenencia de Carabineros Nueva España, Población San Gregorio, September 1973
Tags:
« This tonada recalls the horrible situation I was subjected to in the cells of the police station in the San Gregorio district in southern Santiago. »
[...]
« There was only one other prisoner, but before long many more arrived, about twenty of them in a very tight space. »
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Valparaíso

Music piece by:
Sergio Vesely
Testimony by:
Sergio Vesely
Experience in:
Cárcel de Valparaíso, 1976
Tags:
« This song was written and sung in cell number 198 of Valparaíso’s former prison, that is to say, on the top floor of the main building, which was higher than the walls that surrounded it. »
[...]
« My privilege was twofold because as only an adopted son of the port city, I was fortunate to share that sad human space with Antonio, a great expert of the local geography, who taught me to love Valparaiso with a love that still beats in my heart after nearly forty years of exile. »
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Everything Changes (Todo cambia)

Music piece by:
Julio Numhauser
Testimony by:
Carolina Videla
Experience in:
Cárcel Pública de Arica, 1989-1990
Tags:
« My guitar accompanied me for the entire time that I was deprived of freedom. It was like a magnet. In the afternoon we would sing and play in the courtyard. »
[...]
« Other women drew, knitted or played volleyball. It was a space that allowed us to get out of there for a bit. It was expected that I would musicalise the afternoons. »
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